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LESSON SIXTY
INTRODUCTION
GRACE:
Hello.
ROGER:
llello,
Today,
try
not to
think
about
important
English words
and
expressions, but
just
enjoy our
programnle.
GRACB:
^And
*
have a
good
tirne.
Dialogue
I
TURN IT
ON
NOW!
Graee
nu
problem
z
adapterem
Nie moie
go
$ma
unrchomic.
lilchodzi
Roger.
GRACE:
Oh,
it's
good
you've
comen
Rogetr.
ROGER.:
Hello,
Grace. What's
the
rnatter?
GRACE: My record player
is broken.
ROGER: I-et
rne
see.
(sprawdza
adapterlTurn
it
on
now.
GRACE
(Wlqcza adapter.
Swietny
odbidr)That's
wonderfull
Thanks, Roger!
try
not
to
think
ebout,..
My
record
player is
Turn
it
on.
brolcen.
That'r
wonderful!
prdbujcie
nie
myilei
o.,.
M6j
adapter Jest
popsuty.
Wlqcz
go.
Wspaniale!
ROGER:
Now, let's
see
what
happens
when
our
record player
is
out of
order.
Dialqgue 2
TURN
IT
OFF!
Ta
saftu
sytuacia
Grace
i
Roger
sluchaiq muzyki
z
plyty.
ROGER:
tr'd
like to
listen
to
that
piece
again.
GRACE;
All
right,
(I{astawia
powtfuie plytg.
Roger!
Styctwi
straszne
tnaski}
Oh,
ROGER:
Turn
it
off!
M7
GRACEz
( Wy
lqcza
adapter
)
gi-'
t-Ltt\i
\'c'-*
closer
look
at
ROGER:
I
must
have a
'/,*us(snJ
it.
out of
order
piece
have a
clorer look
L
popsuty
(nie
w porzqdku)
kawrlck
,
tu: utw6r
tt...
bliiej
sig przyj rued
GRACE:
Today,
Roger
and
I
are
having
L
get-together,
I'm.sure
you
would like
to know
why.
Dialogue
3
WHAT'S THE
OCCASION?
Roger
rnai
sterkuie
przy
adapterze.
ROGER: Are
yCIu
going
to
use
this record-player today,
Grace?
GRACE:
Yesn
I
am. We're going
to
celebrate something
today.
ROGER:
What's
the
occasion?
GRACE:
You'll
soon
see.
get-together
What's the
occaeion?
celebrate
You'tl
soon
sse.
zebranie, spotkanie
Jaka
to
okaeja?
obchodzi
d
jakqi uroczystoii
Wkr6tce
sig przekonasz.
R.OGER:
Now
is the tirne
for
our
film.
Today,
you'll
see
our
film
from
beginn-
ing
to
end. There
will
be
another
attempt to
take
a
photograph
of
the Loch
the
searching
party
and
whether
Ness
Monster.
You'll
sce
who
will
thcrewillbeahappyend,
^;tn,*^*'t
L
l*il-Jrb,*
tli
t'$fl't].*-#,
foin
-\
,
FILM
AND
STUDIO
SCENES
SCENE
1
After
the
picnic.
Man:
It
won't
start now.
Woman: What?
Man:
The car
won:t
start now.
Womon:
It
must start.
We've
got
to
get home.
Man:
I know. But I can't
start
it.
u8
Wornrn:
Irt
f,dan:
Oh,
all
right"
me
tqf.
''*
Woman:.ltelln corne
on,
(She sfarfs the
carJ.
The
Let
mo
ty.
cu
won't
3tlrt.
Samoch6d
nie
chce
zapalid.
Pozwdl,
tp
ia
spr6bujg.
SCENE
2
A
yiw
lull:
*The Gondoliers".
Vicer:
Right
-
r+e
'll
try
the
"Dancc a Cachucha".
Words
urd
music
only
this
tinr.
t'll
record
it
for
you.
hn:
Ohno!
Eltrc:
It'll
b€
terible!
Vfurr:
lt
will
help
you to
hear
it.
Oh,
no.
It
won't strrt.
It's
broken.
Oh,
-
roady, cvoryone?
ThcCompuy:Ycr!
thanks.
Right
| flt.r L-.-rrt**kt'zi,
65
They
rehearw
"futtce
a
&cluclu",
L
'''''
J
//rnt,;;
1n
-
Dance a
cechuche,
fendrngo,
bolero,
U
I
..
Xemes,
*p'll
drink
Manzanilla,
Montero.
tl .
-
r
dru>
rh'he'urlff
wine,wtrenitnmrinabundance,enhan@l itb''t'^n
I
J
,
The
recldoss
delight
of that
wildest
of
dancps!
l,vet(
q
-
With
a
pretty
pitte$
pitter,
patter,
And
a
clittor,
clitteilclatter,
Pitter,pitterf
patter,
pitterilpitter
patter,
clitter,
clitter,platter, clitterl
clitter,
clatter.
ig
'tt{St'y
f
n;
\bd*,/
fuid
the
clittor, cfitterf
clatter,
Fitte
r,
pi
tter,
pitte&lgatte r,
patte
r, patter,
We'll
dance!
Old
Xerxes
we'll drink,
Manzanilla,
lvlontero,
For
wine,
when
it
runs
in
abundance,
enhances
The
reckle$s
delight
of that
wildest
of
dances,
The
wildest
of
dances!
The reckless
delight!
Dance a Eachucha,
fandango,
bolero,
Xerxes
wenll
drink,
Manzanilla,
Montero,
Wine, when
it
runs
in
abundance,
enhan@$,
The reckless
delight
of
that
wildest
of
dances!
*fu
29
--"-Welcsme
to
Enslish
t.
ll.
Vicar:
You
were
right,'Elaine.
It
was
terrible.
Qh,
no!
Now
I
can't
turn
it
off.
Help!
Ah.
Thank$.
Cffi'you
play
it
back
no#,
Ian?
Ian:
Do
we
want to
hear
it
again?
The
Company: No!
Ian:
Sorry, David,
It
won't
start.
[t's
broken.
gondolicr
vicnr
cachuche
gondolier
rx,
pestor
zv,a
tE
fies anda luz
y
i
skiego
wordr
this
tirne
rccord
It's broken.
reheerse
tekst
{piosenki)
tym
rausra
nagrai
Jest zepsutyo
robii
no
z
prdbg
fendango
bolero
Xerxer
t.
-1
reckte* IrltLk,sJ
detishr
t"C,o I
Loi
t
wlld
pretty
pitter
-
Patter
clitter
-
cletter
Mrnzanilla
wa
e
t
srsh
is
z
pa
rls
ktego
t a ri
ca
andalu
z
y t skie
go
n&zwa
tane
cznego
rytmu
hiszpartskiego
$s tu ne
k
wiru
hlszparls
kieto
gatune
k
w
lrw hiszprtsktego
Montero
F
)
a
l,
I
bn
r*n,f"'.f;1?,I5*,'ffffiT*-
-
-r
de$ght.".
n5]
gbund*ncg
enhene
play
back
gsrunek
wlru hiszpriskiego
brawurowy,
szalefiezy
przyjerrmo$i,
rozkosz
dziki,
szalony
$liczny,
wdztqczny
stukot,
tupot, trajkot
klekot,
klekstanie
Foniewai wino, kiedy
sig leje obficie
po
tqguje przyjemno
$i...
:e
,
Lit
'ftq,
tf,r,Le-<-rn
i..-qr
obl-ttofc
wrmacni
ai,
wzrn
ary;a6,
Potggowai
zagraf
powt6rnie
SCENE
3
The
YiUaSe
hall.
Vicar:
Where
are
you
going?
The
Company:
We're going
to
watch
tlp
film.
Vicsr:
lVhat
film?
The
Company; The
Monster.
Vicar:
The Monster?
trs
it
a
musical?
mueicel
komedia muzyszne
450
SCENE 4
Nigsk
My
*lfo
nttty
and
I
went
to
Lpch
Ness
in
Scotland
to
take
photographs
of
Nessie
,
the famous
Loch
Ness
Monster.
Betty:
We
drove
from
l",ondon
to
Loch
Ness
-
that's
more than five hundred
and
fifty
miles.
We
got
t;
Invernairn
at
night
and
found
Rowantree
Cottags.,"
The
Monster.
'**
Niget: Then
this
stramge
m&n lvfcTavish came
and
said
he'd
se€n
the Monstcr.
Bctfy:
Then Nigel
went
out
to
look
and
fell
in
the Loch...
The
next
morning
ws went
into
the Loch
to look
for
Nessie
.
Niget:
MeTavish
thought
we were
the Monster
-
Betty: And
then
he
fell
into
the [,och.
NigeL
Then
Clyde,
ourBboss,
arrived
in
Scotland.
Bctty;
Then
we
all waited anothernreek
for
the
Monster.
At
the
Loch
side.
Andy:
Are you enjoying your honeymoon?
Nigeh
Don't
be
funny, Andy.
Andy:
No,
I
mean
it.
It's
beautiful
here
in
Scotland.
Betty:
Yes,
it's
beautiful. But
you don't
want
to
spend
your
honeymoon
with
a
strange
old
$cstsrnan and
your
boss.
Nigel:
We
want
to
be
alone.
Andy:
Well,
you
can
go
as
soon
as
we've
got
a
redly
good photograph
of
the
Monster.
Nigel:
t
thought
you
were
happy
wlth
the
photograph
McTavish
took.
Andy:
Well, yes.
But
it
isn't
very
clear.
Betty:
I
don't think
there's
a
hlonster.
Andy:
But
you
can
see
it
in
the photograph.
Be*ty:
Hundreds
of
people
think
they've
seen
the
Mon$ter.
Nigel;
And
they've
taken photographs
of
it.
Setty;
But
it
was
always something
else.
Andy:
Well,
look,
There's McTavish and
he'g
seen
something.
McTnvinh: Ha ha ha
ha!
It's
her!
It's
Nessie!
Andy;
Look,
he's
s€en
her!
Nigel:
He always
does
that.
Andy:
Set
a
camera!
Get a
camera!
Where is she,
McTavish?
Where
is
she?
$lelp!
I
ean't
swim!
Tkey all
faltr in.
Nigefl: You
go
and
help Andy"
I'll
help
McTavish.
(h,ttside
the
cottage.
Fiona;
I've
rnade
you
lunch
for
your
journey.
451

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