Photoshop User 2009 4-5 April-May.pdf

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T H E A D O B E
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P H O T O S H O P
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“ H O W- T O ”
M A G A Z I N E
Photoshop CS4 opens a
new dimension of creative
expression for cutting-edge
designers & photographers
One person’s trash is another
person’s Photoshop treasure trove
NEW COLUMN
Creative Photoshop:
2009
Check out this year’s winners
Awards
On the Road with Lightroom:
How to handle logistics, image
management, and work ow on location
Creating a picture package
Emailing photos from Lightroom
THE OFFICIAL PUBLICATION OF THE NATIONAL ASSOCIATION OF PHOTOSHOP PROFESSIONALS
VISIT OUR WEBSITE AT WWW.PHOTOSHOPUSER.COM
PLUS:
DISPLAY UNTIL JUNE 2, 2009
Features
38 |
Break into the Third Dimension with 3D Text
Looking for a way to differentiate yourself from the competition? Your search may be over.
Within the new 3D panel in Photoshop CS4 Extended rests a multitude of options for mak-
ing your artwork stand out from the crowd. Add a dash of Google SketchUp and the options
available to cutting-edge designers and photographers are endless.—Scott Onstott
Departments
8 |
About
Photoshop User
Magazine
10 |
From the Editor
14 |
Contributing Writers
16 |
Photoshop News
18 |
NAPP Member News
84 |
From the Help Desk
112 |
Photoshop Q&A
114 |
Photoshop User
Awards
Reviews
104 |
Nikon D3X
105 |
Bokeh
106 |
Extensis Suitcase Fusion 2
106 |
Topaz Adjust 2.6
107 |
Canon EOS 5D Mark II
108 |
Casio EX-FH20
108 |
Canon Speedlite 430EX II
109 |
Portrait Professional 8.1
109 |
imageSynth 2
110 |
Photoshop Book Reviews
April/May 2009 | www.photoshopuser.com
Contents
80 |
Classic Photoshop Effects
Revisit this charming scattered photo-collage effect that Corey has
tweaked to make its creation superfast.—Corey Barker
Columns
24 |
Down & Dirty Tricks
Set the world ablaze with this cool movie poster effect; make anyone look
jazzy with the right blend modes; and create a faux 3D shopping bag
from scratch, all in this issue.—Scott Kelby, Felix Nelson, and Corey Barker
46 |
Photoshop Mastery
82 |
The Copyright Zone
Like making panoramic images but not the jagged edges the process
sometimes leaves behind? Here’s a quick fix.—Ben Willmore
Ed and Jack share two compelling adventures in the world of copy-
right in photography.—Ed Greenberg and Jack Reznicki
48 |
From Bert’s Studio
116 |
Photoshop Quick Tips
We’ve heard that it’s essential to let everything have its own layer. Bert
shows us an excellent example of why it’s so important.—Bert Monroy
Create lifelike textures; use paragraph and point types properly; and
retrieve your contact sheet and Web gallery plug-ins.—Sherry London
138 |
Photoshop Beginners’ Tips
50 |
Graphic Secrets
Using the right textures to create distressed text could mean the differ-
ence between a compelling design and a dreary dud.—Lesa Snider King
Control your Curves panel; fill your layers while preserving transpar-
ency; flatten layers without losing them; and more.—Colin Smith
60 |
Photoshop Speed Clinic
Using this cool bulk-preview technique, you can quickly check shots from
a whole session to see what style best suits them.—Matt Kloskowski
64 |
The Fine Art of Printing
There are four key areas to consider when developing a system for print
notation that could add serious value to your work.—John Paul Caponigro
66 |
Creative Point of View
Like shooting HDR but hate being tethered to time and tons of equip-
ment? Katrin has developed a method just for you.—Katrin Eismann
68 |
Deke Space
Two of the most mysterious blend modes are Add and Subtract. Read
about how Deke uses them for more accurate masking.—Deke McClelland
70 |
Beginners’ Workshop
Dave sheds light on what are for many among the most confusing
topics in Photoshop: resolution and image size.—Dave Cross
74 |
Creative Photoshop
★
NEW COLUMN
★
All too often we strive for perfection. Take a break, take a walk, and
take a moment to observe the beauty in imperfection.—Derek Lea
114
But Wait—There’s More:
Wherever you see the symbol at the end
of an article, it means there’s additional material for NAPP members at
www.photoshopuser.com.
78 |
Digital Photographer’s Notebook
This issue, Kevin concludes his series on professional printing with the
completion of his unique smart object print generator.—Kevin Ames

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