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NEW VOCABULARIES IN FILM
SEMIOTICS
SIGHTLINES
Edited by Edward Buscombe, The British Film Institute and Phil Rosen,
Center for Modern Culture and Media, Brown University, USA
Cinema Studies has made extraordinary strides in the past two decades.
Our capacity for understanding both how and what the cinema signifies
has been developed through new methodologies, and hugely enriched in
interaction with a wide variety of other disciplines, including literary
studies, anthropology, linguistics, history, economics and psychology. As
fertile and important as these new theoretical foundations are, their very
complexity has made it increasingly difficult to track the main lines of
conceptualization. Furthermore, they have made Cinema Studies an ever
more daunting prospect for those coming new to the field.
This new series of books will map out the ground of major conceptual
areas within Cinema Studies. Each volume is written by a recognized
authority to provide a clear and detailed synopsis of current debates within
a particular topic. Each will make an original contribution to advancing
the state of knowledge within the area. Key arguments and terms will be
clearly identified and explained, seminal thinkers will be assessed, and
issues for further research will be laid out. Taken together, the series will
constitute an indispensable chart of the terrain which Cinema Studies now
occupies.
Books in the series include:
NARRATIVE COMPREHENSION AND FILM
Edward Branigan
NEW VOCABULARIES IN FILM SEMIOTICS
Structuralism, Post-structuralism and Beyond
Robert Stam, Robert Burgoyne and Sandy Flitterman-Lewis
CINEMA AND SPECTATORSHIP
Judith Mayne
UNTHINKING EUROCENTRISM
Towards a Multi-cultural Film Critique
Ella Shohat/Robert Stam
NEW VOCABULARIES IN
FILM SEMIOTICS
Structuralism, post-structuralism
and beyond
Robert Stam, Robert Burgoyne and Sandy
Flitterman-Lewis
London and New York
First published 1992
by Routledge
11 New Fetter Lane, London EC4P 4EE
Simultaneously published in the USA and Canada
by Routledge
29 West 35th Street, New York, NW 10001
Reprinted in 1993, 1994, 1995, 1996, 1998, 1999
Routledge is an imprint of the Taylor & Francis Group
This edition published in the Taylor & Francis e-Library, 2005.
“To purchase your own copy of this or any of Taylor & Francis or Routledge’s
collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.”
© 1992 Robert Stam, Robert Burgoyne and Sandy Flitterman-Lewis
All rights reserved. No part of this book may be reprinted or
reproduced or utilized in any form or by any electronic,
mechanical, or other means, now known or hereafter invented,
including photocopying and recording, or in any information storage
or retrieval system, without permission in writing from the publishers.
British Library Cataloguing in Publication Data
Stam, Robert
New vocabularies in film semiotics: structuralism,
post-structuralism, and beyond.—(Sightlines)
I. Title II. Burgoyne, Robert
III. Flitterman-Lewis, Sandy IV. Series
791.43
Library of Congress Cataloging in Publication Data
Stam, Robert
New vocabularies in film semiotics: structuralism, post-
structuralism, and beyond/Robert Stam, Robert Burgoyne, and Sandy
Flitterman-Lewis
p. cm.—(Sighdines)
Includes bibliographical references (p.) and index.
I. Motion pictures-Semiotics. I. Burgoyne, Robert.
II. Flitterman-Lewis, Sandy. III. Title IV. Series:
Sightlines (London, England)
PN1995.S674 1992
791.43′014–dc20 91–21530
ISBN 0-203-97719-X Master e-book ISBN
ISBN 0-415-06594-1 (hbk)
ISBN 0-415-06595-X (pbk)
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