Magadini_26-Polyrhythm-Rudiments.pdf

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The 26
Polyrhythm
Rudiments
by PETER MAGADINI
layout & music notation by SPIROS DAMIANOS
*note:
When learning & playing "The 26 Polyrhythm Rudiments" an underlying basic pulse is required and is written
below each rudiment.
This is vital because this is what makes the rudiments polyrhythmic. Utilizing a metronome or tapping your foot
(i.e. playing the bass drum) is suggested or you may prefer doing both at the same time.
1. Five Stroke Roll
    
The
5 Stroke Roll
R
R
L
L
R
L
    
(5)
L
R
R
L
(5)
As written
R
R
L
(5)
L
R
 
R
L
 
L
R
 
R
L
 
L
R
 
R
L
 
L
In the polyrhythm
*(q=126)
(5)
R
R
L
(5)
6
L
R
R
L
L
R
6
R
L
L
Polyrhythm of 6 over 4
= quarter note triplets (rhythmic ratio 1�½ beats to 1)
*Metronome tempos are suggested only.
The
7 Stroke Roll
(7)
2. Seven Stroke Roll
  
L L R R L L R
L L R R L L R
R
L
(7)
R
5
L
R
L
R
L
R
5
L
etc.
(q=110)
R
In the polyrhythm
L
(7)
R
L
R
L
R
L
R
L
Polyrhythm of 5 over 4
(rhythmic ratio 1¼ beats to 1)
Note - Alternate stickings may be applied
eg. L R
3. Nine Stroke Roll
        
The
9 Stroke Roll
1.
2.
R
L
R
L
L
R
L
R
R
L
R
L
L
R
L
R
R
L
R
As written
(9)
R
L
(9)
L
R
R
L
L
(q=106)
R
In the polyrhythm
(9)
R
L
7
(9)
 
L
R
R
L
7
L
R
etc.
R
Polyrhythm of 7 over 4
(rhythmic ratio 1¾ beats to 1)
The
11 Stroke Roll
4. Eleven Stroke Roll
  
1.
2.
R R L L R R L L R R L
L L R R L L R R L L R
R
As written
(11)
L
R
(11)
L
R
L
3
R
L
R
(q=122)
In the polyrhythm
3
(11)
L
R
(11)
L
4
R
L
Sticking may
be reversed.
Polyrhythm 0f 3 over 4
= half note triplets (rhythmic ratio ¾ beats to 1)
Polyrhythm is slower than the basic
4
pulse
5. Thirteen Stroke Roll

The
13 Stroke Roll
1.
R
2.
L
R L L R R L L R R L L R
L R R L L R R L L R R L
R
As written
(13)
R
L
(13)
L
In the polyrhythm
R
(q=176)
(13)
3
R
L
(13)
3
L
Polyrhythm of 3 over 4
6. Flam
As written
L
R
R
L
L
R
R
L
L
R
R
L
L
R
R
L
In the polyrhythm
R
(q=110)
L
R
L
4
L
R
R
L
L
R
R
L
4
L
R
R
L
Polyrhythm of 4 over 3
7. Flam Tap
As written
L
R
R
R
L
L
L
R
R
R
L
L
L
R
R
R
L
L
L
R
R
R
L
L
In the polyrhythm
(q=106)
R
L
R
R
L
L
4
L
R
R
R
L
L
L
R
R
R
L
L
4
L
R
R
R
L
L
Polyrhythm of 4 over 3
(sub-divided into 1/8th notes)
8. Flamacue
   
L
R
As written
L
R
L
L
R
   
L
R
L
R
L
L
R
   
L
R
L
R
L
L
R
   
L
R
L
R
L
L
R
In the polyrhythm
   
R
L
R
L
R
(q=120)
L
L
6
   
R
L R L R
L
L
   
R
L R L R
L
L
6
   
R
L R L R
L
L
Sticking may be reversed
Polyrhythm of 6 over 4
9. Flam Accent
As written
3
3
3
3
  
  
  
  
L
R
L
R
R
L
R
L
L
R
L
R
R
L
R
L
3
3
3
3
  
  
  
  
L
R
L
R
R
L
R
L
L
R
L
R
R
L
R
L
In the polyrhythm
3
3
  
  
  
R
L
R
L R
L
R
L R
(q=172)
L
R
L
3
3
3
3
 
  
  
L
R L
R L
R L
R L
R
L
R
3
3
Polyrhythm of 3 over 4
- (the '3' sub-divided into triplets)
10. Flam Paradiddle
   
   
   
   
   
   
   
   
L
R
As written
L R R
R
L
R L L
L
R
L R R
R
L
R L L
L
R
L R R
R
L
R L L
L
R
L R R
R
L
R L L
In the polyrhythm
3
   
   
   
R L R R
L R L L R L R R
(q=126)
L
R
L
3
   
   
   
L
R L L R L R R L R L L
R
L
R
Polyrhythm of 3 over 4

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