Alison Hilton - Russian Folk Art (1995).pdf

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RUSSIAN
Folk
Art
Alison
Hilton
RUSSIAN
Folk
Art
Russian
peasant
describes
functions
of
the
traditions,
styles,
and
objects
made
by
a
broad
range
of
artists
for
local
Boston
Public
Library
use
and
by
specialized
artisans
tor
which
Beginning
with
the
settings
in
folk
artists
traditionally
trade.
worked—
the
and
peasant
household,
the
village,
Hilton
dis-
the
local
market—
Alison
em-
cusses
the
principal
media
they
bark,
ployed
(wood,
textiles,
birch
the
bone,
metal,
and
ceramics)
and
utensils
items
they
produced:
kitchen
and
such
as
bowls,
goblets,
dippers,
clothing;
molds;
tools
used
in
making
embroidered
linens,
costumes,
lace,
and
everyday
tions;
clothing:
toys:
elaborate
window
frames
and
house
decora-
and
colorful
broadsides
called
lubki.
This
remarkable
survey
empha-
inher-
sizes
the
cumulative
originality
ent
in
Russian
folk
art.
the
balance
between
time-honored
forms
and
tech-
individual
niques,
and
the
creativity
of
pervasive
images
artists.
It
show
slum
and
designs
e\<
>lved
fn
>m
ancient
church,
sources,
absorbed
elements
of
court,
cal
Slavic-
and
urban
arts,
reflected
histori-
to
events
and
daily
life,
and
helped
a
form
Russian
esthetic
identity
in
the
nineteenth
and
twentieth
centuries.
Finally,
examines
the
complex
inter-
cul-
action
between
folk
art
and
high
it
the
preser-
ture:
the
role
of
serf
artists,
vation
and
reinterpretation
of
folk
art
>y
scholars
and
professional
artists,
and
the
new
Soviet
era.
n
roles
of
folk
art
in
the
back
flap)
Russian
Folk
Art
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