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Michael
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sBN
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431391
rsBN:
978 o 19
4312so
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l
1
j
i
i
I
i
l
I
Michael
Swan
&
Catherine Walter
Oxford
English
Grammar
Course
Advanced
A
grammar
practice book
for
advanced
students
of
English
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OXFORD
UNIVERSITY
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pu
bl
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gements
184
(businessman/Stockbyte),
184
(lingerie
and
pearls/
The
authors and publisher
are
grateful
to
those
who
have
given
permission
to
reproduce the
following
extracts and adaptations of
copyright
material:
p32
Extract
from'Wildlife
Expedition Cruising
FAQs'
from
www.oceansworldwide.co.u
k.
Reproduced by kind permission.
p39
Extract
from'How
not to
have
a
summer
of
Photodisc), 216
(drill/Melba
Photo Agency), 216
(pliers/
lngram), 216
(wrench/Dennis
Kitchen Studio,
lnc.);
Photolibrary
p22
(bike/imagebroker
RF);
Science
Photo
Library pp77
(peregrine
falcon/Jim
Zipp),
gO
(Portrait
in oils
of
Sir lsaac
Newton);
Wikimedia Commons
p231
(Photo
of
Kokopelli
petroglyph,
Embudo, NM USA/E|nar
Einarsson Kvaran).
discontent'by
Sarah
Vine,
26
)uly
2010,
The
Timel
Reproduced by permission
of
Nl
Syndication.
p63 Excerpt
from
Under
MilkWood
by
Dylan Thomas,
copyright
a
1952 Dylan
Thomas.
Reprinted by permission
of
David Higham
Associates
and New Directions Publishing
Corp.
p253
Extract
from'Errors
&
Omissions:
Another
distinctively
British
usage
gets lost on
its
way
across
the Atlantic'by
Guy
Keleny, 28
August 2010,The
Independent. Reproduced by permission.
p276
Extract
from
As
Others Hear
Us
by
E
M
Delafield
o
E
M Delafield. Reproduced by permission
of
PFD
www.pfd.co.uk on behalf of
the
Estate
of
E
M Delafield.
Sources:
p277
www.expatax.nl
Sourced
cartoons:
CartoonStock: p250
('l
miss
the good old days...')
Private
Eye:
p1
13
(Aren't you supposed to
take...?'/
Husband)
Punch
Cartoon Library: pp14
('You have
a
9o...'/
Donegan);
16
('The
dog's
being impossible again!/
Haldane);27
('Things
are
looking badl/lan);27
('l'm selling
this...'/Anton);
38
('l'm
sorry...'/Darling);
57
('Pembroke,
have
you...'/Barsotti);
57
('When did
you
last
feed...'/
Haldane);
87
(All the exits...'/Duncan);
94
('l'm
thinking
of
leaving...'/Mike
Williams);
109 ('Excuse
me, but
would
you mind...?'/Honeysett);
1
10
('l'm sorry
to
bother
you...'/
Noel
Ford);
1
1
0 ('Didn't
we
have
some
children.
.
.'/Ffolkes);
lllustrations
by:
nd
I
ustrators:
pp: 15,95,25;
Ed
Mclachlan: pp
118,127,141,
188;
Phillip
Scramm/Meiklejohn lllustration agency: pp
1
1
(communicator),
12,
128,
1
91, 199
Peter
Lawrence/Oxford
Desi
g
ners
a
I I
you don't mind...'/Clive
Collins);
199 ('Gerald,
I
don't think...'/Ffolkes);
199 ('l
would
be happy...'); 240
('l'm sorry,
but
as
your account...'/Heath);
249
('Well,
wherever
he
is.
.
.'/Graha
m);269
('Frankly Walla
ce.
.
!);269
('Mind you,
this
is a
tough
area.
.
.'/Noel
Ford);
288
('You
sold my
what
to
who?'/Noel
Ford);
The New Yorker
Collection/ www.cartoonbank.com
pp:
26
('Hes
swearing...'/Pat
Brynes); 29
('Do these
shoes...?'/
Cotham);
6
1
('l
ca
n
see.
.
.'/Drucke
r);
64
('
I
wonder.
.
.'/BEK);
109
('The
problem with you...'/y'ictoria
Roberts);
1
1
('We
have lots of
information technology...'/5
Harris);
207
('We
can't
say
new...'/Tuohy);
233 ('How
to rob...'/Farley
Katz);
269 ('lt sort
of
makes...'/S
Gross);
The
Spectator:
pp
6
('Don't you ever
switch off...'/Paul
Wood);
1
1
('Toast
training school'/Linden);
14
('How
'123
('lf
The
publisher
would
like
to thank the
following
for
their
kind permission
to
reproduce photographs:
Alamy lmages pp22
(red shoes/RTimages),22 (plasma
TV/Judith
Collins),22
(Ferrari
Fiorano 599 GTB/Oleksiy
Ma
ksymen ko),
21
6 (files/
Caro),
23 1
(South
Africa n
mask/
Stock
Connection
Blue),
274 (semi-detached
house/
Nikreates);
Bridgeman
Art
Library Ltd
pp129 (Head
of Statue of Man, Sodano, Sandro (b.1966)/Private
Collection/o
Special Photographers Archive),
143
(Roman
woman, from floor
of
a
house
(mosaic),
Roman, (3rd
century
AD)ly'olubilis,
Morocco/Hannah Armstrong),
231 (Viking Runestone, from Tjanguide, Alskog,
Gottland
(stone) by Swedish
School/Ancient
Art and
Architecture
Collection
Ltd.);
British Museum lmages
p231 (Sumerian
Seal);Corbis
pp32
(whale
tailly'ivian
Kereki), 77
(elephant/
Paul
Souders),
77
(brown
bear/JamiTarris),
77
(dolphin/
Jeffrey Rotman),
77
(sperm
whale/Denis
Scott),
1
12
(Michael Jordan/Neal Preston),
172
(Strawberry and
creamAVinkelmann,
Bernhard/the food
passionates);
Getty lmages
pp22 (headphones/Business
Wire),
37
(cave
romantic...');43
('l've
wired
his
electric chair'/Husband);
43
('Mrs Dunne
is
here...'/Husband); 48
('That
s
an
excellent
idea...'/Moulson);57
('My
baggage
has
gone to Helll/
GeoffThompson);
1
10 ('Before
you turned up...'/Austin;
1
13
('No
nurse...'/Nicholas);124
('No,
kickboxing
is
down
the hall...'/Nick
Downes); 207 ('Listen,
I'll call
you
back...'/
Baker);223 ('How
to
eat
while
readingl/S
Harris);
The Tessa
Sayle
Agency:
p.1
0
('Do
come
out
Rover.
.
.'/
Ronald
Searle);
NewWoman:
p
2
('l've
spent...'/Cole)
effort
has
been
made
to
trace
the owners
of
the
copyright
material
used
in
this book, but
we
should
be
pleased
to
hear
from
any
copyright
holder
whom
we
have
been unable
to
contact.
Every
painting/Robert
Frerck/Stone); Nature Picture Library
pp77
(leafcutter
ant/Stephen
Dalton),
77
(froglKimTaylor);
Philip
Hargraves p22 (charger); OUP
pp77 (cheetah/
Corbis/Digital
Stock),
87 (Jefferson
Memorial/Photodisc),
iv
contents
introduction
some useful
grammatical
terminology
list of
topics
Part
1:
word
and
sentence
grammar
VI
viii
X
2
Part2: grammar beyond
the
sentence
appendices
answer key
250
296
312
339
index
a
uthors' acknowledgements
This book,
like
the
earlier volumes
in
the
Oxford English
Grommar
Course series, has
benefited
enormously
from the
hard
work and
professionalism of our
editorial
and design team
at
Oxford
University
Press.
ln particular, we
would
like
to acknowledge the contributions
of our remarkable
editor,
Sarah Bleyer,
and our equally remarkable designer, Phil
Hargraves,
who
have
once again
made
it
possible
for
us
to write and
publish
the
book
that
we
wanted
to, and whose
input
is
evident
on every page.

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