Mastering the Middlegame - Angus Dunnington, 2001 (1,7 MB).pdf

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EVERYMAN
CHESS
Everyman Publishers plc
www.everyman.uk.com
First published 2001 by Everyman Publishers plc, formerly Cadogan Books
plc, Gloucester Mansions, 140A Shaftesbury Avenue, London WC2H 8HD
Copyright
©
2001 Angus Dunnington
The right of Angus Dunnington to be identified as the author of this work
has been asserted in accordance with the Copyrights, Designs and Patents
Act 1988.
All rights reserved. No part of this publication may be reproduced, stored in a
retrieval system or transmitted in any form or by any means, electronic,
electrostatic, magnetic tape, photocopying, recording or otherwise, without
prior permission of the publisher.
British Library Cataloguing-in-Publication Data
A catalogue record for this book is available from the British Library.
ISBN 1 85744 228 8
Distributed in North America by The Globe Pequot Press, P.O Box 480,
246 Goose Lane, Guilford, CT 06437 -0480.
All other sales enquiries should be directed to Everyman Chess, Gloucester
Mansions, 140A Shaftesbury Avenue, London WC2H 8HD
tel: 02075 3 97600 fax: 0207379 4060
email: dan@everyman.uk.com
website: www.everyman.uk.com
To Sardine
EVERYMAN CHESS SERIES
(formerly Cadogan Chess)
Chief Advisor: Garry Kasparov
Commissioning editor: Byron
J
acobs
Typeset and edited by First Rank Publishing, Brighton
Production by Book Production Services
Printed and bound in Great Britain by The Cromwell Press Ltd., Trowbridge,
Wiltshire
C o nte nts
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Introduction
5
7
40
56
74
104
122
139
1.
Attacking the King
2.
Defending - Keep Calm!
3.
Opening Lines
4.
Using the Pieces
5.
Using the Pawns
6.
Further Ideas
7.
Solutions to Exercises
In t rodu cti o n
This book is designed to help the student of the game sit at the board
with more confidence, armed with an appreciation of a number of im­
portant practical aspects of the middlegame. Obviously the very con­
straints of a book make it impossible to provide any kind of 'complete'
guide, not least because the middlegame is a mass of uncharted terri­
tory. However, the same cannot be said of opening theory, for exam­
ple, where we have the luxury of exact sequences of moves, while even
endings can be studied precisely, with many situations analysed ex­
haustively.
The middle game, in fact, is a cruel sea that separates the relatively
safe, dry land of opening and ending.
As
soon as the pieces drift from
the posts allotted to them by theory they become our responsibility,
and we are more or less left to our own devices as to how to best treat
them.
With this in mind I have accumulated a selection of practical exam­
ples that can be seen in tournament halls everywhere, with an em­
phasis on how this or that factor might be applied in our own experi­
ence . Rather than make an overview of general rules and advice I
have concentrated on mainly positive themes, ranging from outright
attack to strong defence. In other words, the areas of the middle game
we investigate might have positional, psychological and attacking sig­
nificance or they could feature a specific piece, but they are all linked
by the common denominator that is a better understanding of the
game.
5

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