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114
Issue 114
| June 2015
• 10 of the best digital images
•
Narrative fantasy sketches
• Craft an air vehicle
• and much more!
plus
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2DARTIST MAGAZINE |
ISSUE 114
Editor’s Letter
Welcome to
2dartist
issue 114!
We’ve got an exciting mix of sci-fi and fantasy for you
this month! Issue 114 brings you an insightful interview
with illustrator and concept artist, Brun Croes filled
with invaluable advice. Brun Croes also pops up in our
tutorial section as he demonstrates how to develop a
scene using sketching techniques.
JESS SERJENT-TIPPING
Deputy Editor
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Our tutorials also cover creating a grungy sci-fi scene
of epic proportions, crafting an air vehicle, and using
matte painting techniques to alter an environment’s
atmosphere – or if you’re in the mood for some fantasy
characters, you can learn how José Parodi painted
Dragon Hunter,
or take a peek into the sketchbook of
Nick Harris. Enjoy!
Contributors
BRUN CROES
Brun Croes is a freelance illustrator working in the
animation, games and entertainment industry. He’s
been active as a professional for four years focusing
mainly on visual development.
JESSICA ROSSIER
Originally from Switzerland, Jessica Rossier is based
in France. She mostly works for films, videogames, or
advertising companies by providing high-quality visual
assets, as a concept artist and matte painter.
NICK HARRIS
Nick Harris is a UK-based illustrator, who has been
working as a full-time freelancer since 1982 - mostly
in children’s publishing. He shares his traditional and
digital sketches.
JOSÉ PARODI
Jose Parodi is a Columbian artist who produces art for
children’s educational books and literary works. He saw
how important discipline was to artistic development
and uses sport to aid him with this.
EFFLAM MERCIER
Efflam Mercier is a freelance concept artist and
consultant, working for VFX and videogame companies;
he enjoys experimenting with different processes and
loves lighting.
RASMUS BERGGREN
Rasmus Berggren creates universes for clients for
film, games and toys, and aims to deliver the highest
possible quality and originality with his visual
development studio, MOOD.
JUAN PABLO ROLDAN
Juan is a concept artist for videogames, films and TV
companies. He focuses on the visual development of
pitches for TV series, movies, short films and innovative
entertainment technology.
WOULD YOU LIKE TO SUBMIT TO 2DARTIST?
We are always looking for tutorial artists, gallery
submissions, potential interviewees, writers and
more. For more information, please send a link to
your work to:
jess@3dtotal.com.
2 |
2DARTISTMAG.COM
2DARTIST MAGAZINE |
ISSUE 114
Deputy Editor
Jess Serjent-Tipping
jess@3dtotal.com
Sub Editor
Adam Smith
Graphic Designer
Aryan Pishneshin
Advertising Manager
George Lucas
george@3dtotal.com
Managing Director
Tom Greenway
Advertising
Media pack and rates are
available upon request.
Contact George Lucas:
george@3dtotal.com
International
Translation opportunities
and international licenses are
available. Contact
Melanie Smith:
melanie@3dtotal.com
Subscriptions
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purchased via
2dartistmag.com.
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£23.99 ($38.99 US approx.)
To enquire about
subscriptions, contact:
support@3dtotal.com
Distribution
2dartist is an e-magazine
distributed as a
downloadable PDF and on
digital newsstands.
Disclaimer
All artwork, unless otherwise
stated, is copyright ©2014
3dtotal.com Ltd. Artwork that
is not copyright 3dtotal.com
Ltd is marked accordingly.
Every effort has been made
to locate the copyright
holders of materials included
in this issue of 2dartist
magazine in order to obtain
permissions to publish them.
Special thanks
to 3DHype,
Hiperia 3D and Veegraph
for supporting 2dartist with
banners. Contact George
Lucas if you would also
like to show your support:
george@3dtotal.com
Magazine.
Your
Get the most out of it!
If you’re having problems viewing the double-page spreads that we feature within
this magazine, then follow this handy little guide on how to set up your PDF reader!
Top tips for viewing
For optimum viewing of the magazine, it is recommended that you have the latest version of
Adobe Acrobat Reader installed. You can download it for free here:
To view the many double-page spreads featured in 2dartist magazine, you can set the reader
to display “two-up”, which will show double-page spreads as one large landscape image:
1.
Open the magazine in Reader;
2.
Go to the
View
menu, then
Page Display;
3.
Select
Two Page Scrolling,
making sure
that
Show Cover Page in Two Page View
is also selected.
Jump to articles
In the Contents pages, we have direct links to all articles within the magazine. If a certain
article catches your eye, simply click (or tap on handheld devices) on the page number within
the Contents, and you will be taken straight to that article.
Download resources
Whenever you see this symbol, be sure to click it to
download free resources to accompany that article!
For lots more tutorials and exclusive articles, visit
www.layerpaint.com
2dartist magazine is available as a downloadable PDF magazine. If you have an iPad or iPhone, you can drag your
magazine into your iTunes library – it will automatically add the PDF to your bookshelf in your iBooks app!
2DARTIST MAGAZINE |
ISSUE 114
Contents
Issue 114
006_
Mastering fantasy illustrations
Brun Croes shares his stunning fantasy
illustrations, inspirations and advice
021_
Narrative fantasy sketches
034_
The gallery
Explore the traditional and digital sketches of
Nick Harris
Jakob Eirich and Lisa Henke feature in this issue’s
gallery selection of our top 10 images
056_
Craft an air vehicle
Efflam Mercier demonstrates how he develops a
simple visual narrative around a spaceship image
068_
Design and sketch an environment
Learn techniques to develop and draw a scene
with Brun Croes
078_
Create a scene of epic proportions
Juan Pablo Roldan shares invaluable techniques
for creating a large scale grungy scene
094_
Alter an environment’s atmosphere
106_
Paint a fantasy character
Discover how to use matte painting techniques to
change the mood of your scene
José Parodi shares the creative workflow behind
his fantasy image,
Hunter of Dragons
114_
Digital Art Master: Rasmus Berggren
Rasmus Berggren reveals the process behind the
creation of his atmospheric image
Into the Abyss
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