00:00:05:.. Two tributaries of humanity,|but here, this pump, 00:00:09:the signifier of that which unites|all. All men made in one image. 00:00:14:So I declare unto you|that God is light, 00:00:17:and in Him is no darkness at all. 00:00:20:GROANING 00:00:22:If we say that we have|fellowship with Him 00:00:26:and walk in darkness, we lie,|and we do not tell the truth. 00:00:29:That if we walk in the light,|as He is in the light, 00:00:34:then we have fellowship,|one with another. 00:00:38:MAN RETCHES 00:00:45:HE GROANS 00:00:47:Advertise your product or brand here|contact www.OpenSubtitles.org today 00:00:56:Off him, you jackals and vermin! 00:01:12:Help me, my guts. 00:01:27:Stay away from the water.|It is the King returned. 00:01:33:King Cholera. 00:02:31:I have sandwiches too. 00:02:38:You are kind to me, Mrs Reid. 00:02:40:I would take greater|care of you, Kathleen, 00:02:43:if you'd name the man who would|work you and then punish you so. 00:02:51:Kathleen? 00:02:53:No, Mrs Reid. 00:02:55:If you were you my friend,|you wouldn't ask me this thing. 00:03:16:You might at the least have|prepared a picnic, Reid. 00:03:19:Some German wine, perhaps. 00:03:21:I do not come here|to seduce, Inspector Ressler. 00:03:24:Well, then why, Reid? Hobbs! 00:03:31:Six, sir! 00:03:35:Elizabeth Jackson.|You lay claim to her, do you not? 00:03:39:Her dissected remains made|landfall here. Blackfriars. 00:03:42:On Corporation land.|A case for the City Police. 00:03:46:That makes her my case,|not yours. You question this? 00:03:51:That parts of her washed up here?|No. Her provenance, however... 00:03:54:Provenance, Reid? Where she came|from. Where she was butchered. 00:03:57:Whether she is|a Ripper victim at all. 00:04:00:The lad shouted "six". 00:04:02:Yes, I heard. Six is the number I|had painted on a sack of pig-flesh. 00:04:06:It weighs the same as that|package that washed up here. 00:04:09:I have had numerous such packages|dropped into the river 00:04:12:at various intervals on both banks. 00:04:15:Number six began its|journey in Battersea. 00:04:19:So this sack of pork has made|its way five miles east of there? 00:04:22:This river has strong|currents, Mr Ressler. 00:04:25:An eastward flow from the source,|westward with the rise of the sea. 00:04:28:The tide and time are apiece with|the day of Miss Jackson's discovery. 00:04:32:As this sack went into the river|in Battersea, then so did she. 00:04:35:But the Ripper cuts his swathe|here. The City and the East. 00:04:38:This woman is not such! 00:04:40:No! No, she must be. 00:04:42:This girl was diced,|separated and put into the river 00:04:46:in order to obscure her murder. 00:04:50:The Ripper would have us sit up and|pay heed, have men, men like you, 00:04:53:Inspector, clamour to add your names to the|tally of those who have wandered after him. 00:04:59:Inspector Reid!|Whitechapel calls you back, Reid. 00:05:02:Inspector Reid!|Forget your dismay, inspector. 00:05:05:Have it from me and remember it well. 00:05:08:You want no part of this parade. 00:05:10:Inspector Reid,|you must come immediately. 00:05:35:Morning to you.|And to yourself. 00:05:38:You are alone here? 00:05:41:The world hides in fright|when there's rumour of cholera. 00:05:46:But not yourself. No, sir. I make|my home where men's fear lies. 00:05:51:I fight it for them. 00:05:53:Then you are welcome here. 00:06:10:The dead man is here?|He is, sir. 00:06:12:Mr Jackson and Mr Drake|delivered him to us. 00:06:18:You question whether his|death is a matter for us? 00:06:20:It is a medical issue, is it not? If any|more are dead, it'll be one of public order. 00:06:24:Then should the water|pumps be broken? 00:06:26:Not until we confirm cholera. 00:06:28:Its water keeps most of|this populace above ground. 00:06:32:We close the pumps, they'll be|drinking from the river in a day. 00:06:35:And the dead will line the streets. 00:06:44:He's rigid. A spasm|at the point of death. 00:06:47:The jaw is locked, but... 00:06:52:The gums are discoloured. 00:06:56:The tongue's engorged. 00:06:58:All the signs. 00:07:01:You have word out enquiring|after other choleroids? 00:07:04:I do, sir. And nothing. 00:07:10:Fouled his fine suit too. 00:07:13:I was not here in '76, the last time the|King cut his way through these streets. 00:07:20:Sudan, sir. I missed|that particular party. 00:07:23:'75. I was in New Orleans|when he came. 00:07:28:Each town, each settlement.|Men, women and child rotting. 00:07:33:Food for flies. 00:07:37:We must expect more, then? 00:07:39:I'll get him open. Get you sure. 00:07:43:He had no other effects on him? 00:07:45:He was scavenged|before they saw what he was. 00:07:50:This is a financial paper.|He's a City man. 00:07:53:This may not be our problem. 00:07:55:Indeed. But a news vendor has|written here. An address, perhaps? 00:07:58:We should cross to Corporation|land, find his home, 00:08:01:see if others there suffer or no. 00:08:04:Reid, this is a whale, not a man.|I'm going to need a hand in here. 00:08:09:They say no infection|may pass through it. 00:08:11:Hobbs, the dead room requires an assistant.|Go to Captain Jackson, see what he wants. 00:08:16:You'll enjoy that, Hobbs. 00:08:17:Yes, sir. 00:08:20:Sergeant Artherton, I want all other men out|where people can see them, not hiding in here. 00:08:27:And any man found wearing a mask,|I shall personally see them 00:08:31:exposed to one of|Mr Lister's bacteria. 00:08:33:We'll not alarm these|people by our absence. 00:08:38:Kathleen, please, this man who|sells you, sells you and beats you, 00:08:44:you protect him and he will|send you back here. 00:08:46:You and twenty others like you. 00:08:48:Perhaps he will, Mrs Reid. 00:08:50:But a woman has to work to find|food and lodging in this city. 00:08:53:I work to find you that lodging. 00:08:55:And will there be any that does not|insist upon churching me every Sunday? 00:08:59:Upon my knees, listing|the sins I got on my back? 00:09:04:RETCHING 00:09:06:Help me! Nurse! 00:09:12:He's a big man, Hobbs. 00:09:14:When I cut, he's liable to fall away|some, you're going to help me. 00:09:17:Sir? See, the tissue|must be drawn back... 00:09:24:.. to reveal the breastbone.|Now, I need you to hold it. 00:09:28:Now pull. 00:09:30:Just peel the flesh back|gently, evenly, while I cut. 00:09:35:The breastbone is held|in place by cartilage. 00:09:40:We need to cut the lower jaw here. 00:09:43:The breastbone comes... off. 00:09:49:Pull the tongue and the trachea. 00:09:53:And now to access where|this man's killer lives. 00:09:56:And where's that, sir?|The bowel, Hobbs. 00:10:02:The bowel. 00:10:09:We step out of our jurisdiction|now, Sergeant. Tread carefully. 00:10:13:DOGS BARK 00:10:15:Ma'am. 00:10:18:Money never begat courtesy, Bennet. 00:10:20:No, sir. 00:10:24:Excuse me. Could you tell me|where this is delivered to? 00:10:40:Delivered each morning. 00:10:42:Our presence here marked.|City Police, sir. 00:10:45:Let them mark it. 00:10:48:It's a German named Koch|that saw them first. 00:10:54:Grew them too. 00:10:55:Cholera bacillus in a jar. 00:10:59:Saw how it loved|dirt and dank earth, 00:11:03:how it lived to breed|and spread in river basins. 00:11:08:And how if your glass|was strong enough... 00:11:12:.. you could actually|see it in a man's gut. 00:11:15:And do you see it, sir? 00:11:19:No. No, Hobbs. I do not. 00:11:22:Captain Jackson. Word comes|from the dispensary, sir. 00:11:27:More dead? Not yet, sir.|But many sick. 00:11:32:If it's not cholera,|then what? Find Reid, Hobbs. 00:11:42:Number 26, sir. We'll take a look. 00:11:46:You're Metropolitan Police|and beyond your jurisdiction. 00:11:50:I suffer no obligation to you. 00:11:53:You will give us access. 00:11:55:Or I shall take you where|we shall find you your obligation. 00:12:02:My thanks to you. 00:12:08:Sir? 00:12:14:Is she dead? 00:12:19:No. Opium, Sergeant.|Have a look around. 00:12:46:Wake up, wake up. 00:12:47:What? 00:12:52:Ow, who are you? 00:12:54:The police, wench, is who we are. 00:12:57:Whose lurk is this? Mine. 00:13:00:The truth, toffer. 00:13:03:Mine in name. His in spending. His? 00:13:05:Big man. Small eyes.|Pink like a pig. 00:13:08:S'right. How's your health? 00:13:10:Well, my arm hurts, but|apart from that... Cramps, vomiting? 00:13:14:No! Why? What's his name,|the man that installs you here? 00:13:18:Winston. Algernon Winston.|He was with you last night? 00:13:22:He was. Raging all night|about his head and his belly. 00:13:25:Place of work? I dunno.|I swear it. Why would he tell me? 00:13:29:I don't care to ask which|Jew fills his pockets. 00:13:32:Then it's a bank? Course it's|a bleeding bank! In the street? 00:13:35:You ever walk him back there|after a night on your back? 00:13:38:New Inn. Huge black door. 00:13:46:So where is he, then? 00:13:47:He's cold clay, woman.|As gone as your girlhood. 00:13:51:Best find another fine|suit to climb inside. 00:14:00:Off your patch twice in a day, Reid? 00:14:02:Put in for transfer? 00:14:04:We'd need grander manners|and blacker boots for that. 00:14:07:Aye, and a poker up our arseholes.|What is it your pit-dog says? 00:14:10:You enquire after my presence here,|here's the reason for it. 00:14:13:I've a resident of your|square mile on my slab, 00:14:16:grey and stinking and every mark on him|telling me cholera. Keep your voice down, man. 00:14:20:And keep your men|off my manor. Hobbs? 00:14:23:A message for you, sir. You're|needed at the Eastern dispensary. 00:14:27:What, Constable? Are there more? 00:14:31:Don't think this forgotten. 00:14:45:Fetch a nurse.|Fetch her quick. 00:14:48:RETCHING 00:14:54:BABY WAILS 00:14:56:Emily? 00:14:59:Edmund? Are you sick?|No, ...
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