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COOL, CREATIVE AND CONTEMPORARY
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WhiteWall.co.uk
EDITOR’S LETTER
© Sarah Ketelaars
R
Elizabeth Roberts, Editor
elizabethr@thegmcgroup.com
eading our feature by Tracy Hallett
on collecting photography (page
42)
set me thinking about a game I’ve
played for the last 20-odd years,
which has not only given me a lot
of pleasure but has seriously honed
my picture editing skills.
It goes like this: whenever I visit a photographic
exhibition (and I do go to a great many) I allow
myself to choose one picture that I would buy (this
is purely on an imaginary basis) – and this goes for
both selling and public exhibitions from the very
small to the major shows.
The routine is that I have a fairly quick look
around the exhibition as a whole, then go back to
the beginning, read all the captions, and work my
way through to the end. After that, it’s a free-
for-all – I go back and forth, compare pictures,
mentally mark out possible contenders and,
finally, when I make my decision, spend time
gloating over my (imaginary) acquisition.
Now, this isn’t as barmy as it may sound.
Apart from the fact that it’s great fun and a very
absorbing pastime, it does mean looking very
carefully at the work. I look for vintage prints
(when applicable), compare them with modern
prints, think about why I like the image and
whether I would always feel the same about it.
Above all, I have to really love it (I admit that,
very
occassionally, I don’t choose a picture).
There are times when I find I’ve spent an
(imaginary) £10,000-£15,000 – or more. At
other times I find I’ve chosen more modestly,
but I always know that the picture I’ve chosen will
stay with me, even if only as a memory, and will be
cherished as such.
I am, in fact, one of the biggest collectors in
the country, if only people knew – I have several
Sarah Moons, one beautiful André Kertész (which
has pride of place), a Sugimoto, a Sally Mann,
a Martin Bogren, a Michael Kenna, a Tessa
Traeger… and many, many more.
PINBOARD
COVER IMAGE
This month’s cover image
is
Eiffel Tower, study 11, Paris,
France, 2013,
by one of
B+W
’s
favourite photographers Michael
Kenna. The photo can be found
in Kenna’s book
France,
available
now and published by Nazraeli
Press, and is included in a solo
exhibition, opening 30 October,
at Musee Carnavalet, Paris.
michaelkenna.net
© Michael Kenna
TWITTER SPOT
Monika Jakubowska’s B&W
image
Half Life Poppy
instantly
caught our eye when it
came up on our Twitter feed
recently. A change from her
usual subjects (jazz musicians),
Monika noticed the poppy in
her garden early one evening.
@MSJPhotos
msjphotos.co.uk
03
B+W
© Mike Crawford
A PHOTOGRAPH WE LOVE
We love
B+W
contributor Mike Crawford’s lith print of an image
he took earlier this year in Ljubljana, Slovenia. Look out for another
– yet completely different – image of a Ljubljana dragon in Mike’s
article in B+W 169. Mike teaches workshops at London-based Lux
Darkroom and runs photo printing studio Lighthouse Darkroom.
lighthousedarkroom.com luxdarkroom.co.uk
© Monika Jakubowska
BIG BROTHER’S LITTLE BROTHER
After the success of her first build-it-
yourself pinhole camera (see Pinboard
B+W 159), London-based designer
Kelly Angood has created the Viddy.
Launched this summer on crowd-
funding site Kickstarter, backers helped
Kelly reach her £18,000 target in just
five days. Available in four colours,
once constructed the Viddy takes both
medium format and 35mm film.
thepopuppinholecompany.com
facebook.com/blackandwhitephotog
follow us on twitter @BWPMag
ISSUE 168 OCTOBER 2014
© Jason Scott Tilley
© Michael Massaia
HOW TO
SUBMIT
Photocopies of this form
are acceptable. Please tick
which category you are
submitting pictures to:
10
36
PHOTO PROJECTS
LAST FRAME
PORTFOLIO
Name
Address
© Clare Park
© Daido Moriyama
© Martin Rak
44
26
86
Postcode
Daytime telephone no
Email
04
B+W
When burning your CD, create two
folders: one containing high-res Tiffs
or Jpegs (300dpi to about A4), the
other containing low-res Jpegs (72dpi
to about 20cm on the longest side).
Images must be Mac-compatible.
Please write your name and contact
details on the CD or include this in
a text file. Print submissions should be
a maximum of 12x16in and must not
be sent in tubes. We are currently
unable to receive submissions online.
SEND YOUR
SUBMISSIONS TO
Black+White Photography,
GMC Publications Ltd, 86 High Street,
Lewes, East Sussex BN7 1XN
FEATURES
NEWS
COMMENT
10
GIFT FROM THE PAST
Jason Scott Tilley’s
Indian family project
GET IN TOUCH
Tel 01273 477374
facebook.com/blackandwhitephotog
twitter.com/BWPMag
36
THE POWER
OF SILENCE
Discover the singular vision
of Michael Massaia
6
8
ON THE SHELF
IN THE FRAME
22
NEWSROOM
All you need to know
Your guide to
photo exhibitions
Our recommended show
26
82
84
86
AMERICAN
CONNECTION
Susan Burnstine profiles an
exciting photobook series
The best photography books
A FORTNIGHT
AT F/8
Tim Clinch on the art
of reinvention
EDITOR
Elizabeth Roberts
elizabethr@thegmcgroup.com
DEPUTY EDITOR
Mark Bentley
markbe@thegmcgroup.com
44
A BID FOR HEALTH
24
EXHIBITION OF
THE MONTH
KEEPING THE
54
RECORD STRAIGHT
Top photographers
support an important charity
Exploring a unique
photography archive
BEHIND THE
SCENES
Colin Harding on photographing
babies in Victorian times
60-SECONDS
Martin Rak in the spotlight
ASSISTANT EDITOR
Anna Bonita Evans
anna.evans@thegmcgroup.com
NEXT MONTH’S ISSUE IS OUT ON 2 OCTOBER
© Lee Frost
© Stelios Demetriou
62
34
© Tim Daly
© Eddie Ephraums
© Gareth Cattermole
68
56
102
05
B+W
TECHNIQUE
INSPIRATION
TESTS AND
PRODUCTS
YOUR
BLACK+WHITE
62
76
TO BOLDLY GO
Lee Frost puts
the punch into B&W
34
PHOTO PROJECT
WINNER
74
Prize-winning pictures
LOMOGRAPHY
X ZENIT
PETZVAL LENS
28
72
PORTFOLIO
Your pictures could
win a prize
68
PHOTO PROJECTS
Tim Daly’s guide to
shooting remote places
48
56
NEW
SERIES
STARTING A
PHOTOGRAPHY
COLLECTION
New version of a legendary
lens – B+W tested
SUBSCRIPTION
OFFER
IN CONTACT
SMART GUIDE
TO PHOTOGRAPHY
Advice and guidance
from Tracy Hallett
78
CHECKOUT
Have B+W delivered to your door
Six of the best
compact system cameras
Tim Clinch helps you find the
right photography apps
PHOTOBOOK
WORKSHOP
91
BLACK+WHITE
LOVES
Eddie Ephraums embarks
on a new challenge
New photography gear
60
TALKING PICTURES
89
NEXT MONTH
92
102
LAST FRAME
Send us your thoughts
What’s in our next issue
An image to close
A close look at
a single image

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